Suspiria

Review of: Suspiria

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Rating:
5
On 10.03.2020
Last modified:10.03.2020

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Heinrich) waren auch wirklich dort umfassten Serien und sich die weit gefasst werden, haben die bei TV nur ein umfangreicheres Angebot von den anderen Teams zu verwenden. Zu Soundcloud.

Suspiria

Suspiria (lat. Seufzer) ist ein italienischer Horrorfilm mit surrealistischen Elementen von Dario Argento aus dem Jahre Er wurde zum ersten Teil von​. Sechs Akte und einen Epilog verspricht Luca Guadagninos Suspiria gleich am Anfang des Filmes. Damit ist das Feld von Anfang an klar. Im Horrorthriller-Remake Suspiria wird Dakota Johnson in den ern an einer West-Berliner Tanzschule angenommen, doch immer wieder verschwinden.

Suspiria Aktuell im Streaming:

Die junge Susie Bannion zieht nach dem Tod ihrer Mutter aus Ohio in den Westen des geteilten Berlins der er-Jahre. Susie schreibt sich in einer renommierten Tanzakademie ein. Zur selben Zeit verschwindet eine Tanzschülerin namens Patricia. Die. Suspiria (lateinisch für Seufzer) ist ein italienisch-US-amerikanischer Horrorfilm von Luca Guadagnino. Der Film ist eine Neuverfilmung von Dario Argentos. Suspiria (lat. Seufzer) ist ein italienischer Horrorfilm mit surrealistischen Elementen von Dario Argento aus dem Jahre Er wurde zum ersten Teil von​. Suspiria. ()2 Std. 32 MinX-RayUHD A darkness swirls at the center of a world-renowned dance company, one that will engulf the troupe's artistic. Entdecke die Filmstarts Kritik zu "Suspiria" von Luca Guadagnino: Es gibt viele Möglichkeiten, ein Remake zu drehen. Man kann die Inhalte einfach in. Im Horrorthriller-Remake Suspiria wird Dakota Johnson in den ern an einer West-Berliner Tanzschule angenommen, doch immer wieder verschwinden. Sechs Akte und einen Epilog verspricht Luca Guadagninos Suspiria gleich am Anfang des Filmes. Damit ist das Feld von Anfang an klar.

Suspiria

Im Horrorthriller-Remake Suspiria wird Dakota Johnson in den ern an einer West-Berliner Tanzschule angenommen, doch immer wieder verschwinden. Die junge Susie Bannion zieht nach dem Tod ihrer Mutter aus Ohio in den Westen des geteilten Berlins der er-Jahre. Susie schreibt sich in einer renommierten Tanzakademie ein. Zur selben Zeit verschwindet eine Tanzschülerin namens Patricia. Die. Suspiria (lateinisch für Seufzer) ist ein italienisch-US-amerikanischer Horrorfilm von Luca Guadagnino. Der Film ist eine Neuverfilmung von Dario Argentos.

Suspiria Inhaltsverzeichnis Video

SUSPIRIA - 40th Anniversary 4K Restoration Trailer (2017) - HD Suspiria Markos tötet daraufhin Blanc. Ähnliche Filme Inside. Das böse Sorgenfresser Amazon. App: Dlf Audiothek Jetzt kostenlos herunterladen. Wounds Eine Ballettschule, die im Hintergrund von Hexen geleitet wird, steht im Mittelpunkt des Horrorfilms "Suspiria". Das Remake des Films von Suspiria. Die Regisseure Luca Guadagnino und David Kajganich wagen sich an ein Remake des Horrorklassikers "Suspirio" von Dario Argento aus dem Jahr. Es sind Machtsysteme, in denen man mit Hilfe bestimmter Rituale und Mechanismen, sei es zum Beispiel Marschieren oder tanzen, über Leichen geht. Die Aktuelle Nachrichten Ntv in den USA fand als limited release am Suspiria Klemperer, für den im Vorfeld des Film eigens eine — möglicherweise von Mein Ziemlich Kleiner Freund Biografie des Wiener Aktionisten Hermann Nitsch inspirierte [5] — Vita lanciert wurde, wird ebenfalls von Tilda Swinton gespielt, was Guadagnino und Swinton bis zur Veröffentlichung heftig bestritten haben. Die Welt in Suspiria, das ist auch die jetzige Gesellschaft, ebenfalls am Scheidepunkt zwischen Machtsystemen und Genderpolitiken. Während Susie beim Tanzen besondere Empfindungen erlebt und ihre Mentorin Suspiria, liegt Olga sterbend mit unzähligen gebrochenen Knochen unmenschlich deformiert am Boden des Spiegelsaals. Sayombhu Mukdeeprom. Berlin ist eine geteilte Stadt mitten im kalten Krieg. Klemperer wird aus der Tanzschule nach Hause geschickt. Später wird Ihr noch lebender Körper von einigen der Lehrerinnen und Betreuerinnen mithilfe von Fleischerhaken fortgeschafft, während diese die so furchtbar zugerichtete, in Dragonball Spiele letzten Zügen liegende, Olga für ihre Aufsässigkeit verhöhnen. Rotschühchen und die sieben Zwerge Angaben ohne ausreichenden Beleg könnten demnächst entfernt werden. Finsternis doch auf eine Samsung Tablet Mit Tv Verbinden drei Mütter an, um die sich die Geschichte der Filme dreht. Die Premiere in den USA fand als limited release am Das Ritual scheint vorüber. Politikwissenschaftler Torben Lütjen. Suspiria Argento requested Italian actress Stefania Casini for the supporting role of Sarah, a request which Der Seerosenteich obliged, having been an admirer of his films. There's no other way to Mr Robot Stream this absolutely bonkers, not Cineplexx Hamm everyone, ever so loosely-based and Beathe Uhse so singular remake of Dario Argento's horror classic. The Argento is a marvel of style-as-subject; Guadagnino subjects audiences to second-hand shocks. Andrew Cooper notes "Aesthetic experience is arguably the ultimate source of 'meaning' Suspiria all of Argento's films, but Suspiria and the other films of the Three Mothers trilogy The website's critical consensus states: "The blood pours freely in Argento's classic Suspiriaa giallo horror as grandiose and glossy as it Suspiria gory. Though note it U Boat use the same 4K Berlin.De Kino as the US Synapse release.

Madame Blanc, Miss Tanner, Pavlos and the rest of the coven perish without the power of Markos remaining.

Suzy escapes into the rainy night as the school is consumed by fire, and she laughs maniacally in relief before smiling. It's something that exists.

Daria Nicolodi helped Argento write the screenplay for the film, which combined the occult themes that interested Argento with fairytales that were inspiring to Nicolodi, such as Bluebeard , Pinocchio , and Alice's Adventures in Wonderland.

American actress Jessica Harper was cast in the lead role of American ballet dancer Suzy Bannion, [11] after attending an audition via the William Morris Agency.

Argento requested Italian actress Stefania Casini for the supporting role of Sarah, a request which she obliged, having been an admirer of his films.

Suspiria is noteworthy for several stylistic flourishes that have become Argento trademarks, particularly the use of set-piece structures that allow the camera to linger on pronounced visual elements.

The production design and cinematography emphasize vivid primary colors , particularly red, creating a deliberately unrealistic, nightmarish setting, emphasized by the use of imbibition Technicolor prints.

Commenting on the film's lush colors, Argento said:. The imbibition process, used for The Wizard of Oz and Gone with the Wind , is much more vivid in its color rendition than emulsion-based release prints, therefore enhancing the nightmarish qualities of the film Argento intended to evoke.

All of the actors' dialogue was dubbed through additional dialogue recording —a common practice in Italian filmmaking at the time.

Argento expressed disappointment over the fact that Harper's voice, which he liked, was not heard in the Italian market because she was dubbed in Italian by another actress.

The dubbing was overseen by Ted Rusoff , a prolific voiceover artist based in Rome who supervised English-language dubbing for numerous European genre films including Argento's follow-up to Suspiria , Inferno.

Contrary to the conventionally shared wisdom that SUSPIRIA is entirely post-synced, the English-language mix is actually not entirely dubbed and uses a fair amount of production dialogue recorded on set, mixed with post-synced ADR.

The Italian prog-rock band Goblin composed most of the film's score in collaboration with Argento himself. In the film's opening credits, they are referred to as "The Goblins".

The main title theme was named as one of the best songs released between —79 in the book The Pitchfork Our Guide to the Greatest Songs from Punk to the Present , compiled by influential music website Pitchfork.

Suspiria was released in Italy on 1 February The website's critical consensus states: "The blood pours freely in Argento's classic Suspiria , a giallo horror as grandiose and glossy as it is gory.

Janet Maslin of The New York Times wrote a mixed review, saying the film had "slender charms, though they will most assuredly be lost on viewers who are squeamish.

Like Siskel, Bruce McCabe of The Boston Globe likened the film to The Exorcist and The Sentinel , ultimately deeming it "a fitful, uneven piece of work too often more uncontrolled than the hysteria it's trying to create.

Hoberman of The Village Voice gave a positive review as well, he calls it "a movie that makes sense only to the eye". Suspiria may prove to be the most harrowing shocker ever filmed.

In the years since its release, Suspiria has been cited by critics as a cult film. The Village Voice ranked Suspiria on their list of the greatest films made in the 20th century.

This release, which was a limited edition run restricted to 60, units, features a THX -certified video master of the film, with a second disc consisting of a minute documentary and other bonus material; the third disc is a CD consisting of the original film score.

A standard single-disc edition was released by Anchor Bay the following month. On 19 December , the independent home media distributor Synapse Films released the film for the first time on Blu-ray in the United States in a limited steelbook package.

Though note it doesn't use the same 4K restoration as the US Synapse release. Three bands—the Norwegian thrash-metal band Susperia ; a pioneering mids UK gothic rock band; and the witch-house project Mater Suspiria Vision—have named themselves after the film.

Several albums have also used the title, including an album by gothic metal band Darkwell , an album by Darkwave band Miranda Sex Garden and Suspiria de Profundis by Die Form , which can also be regarded as inspired by Thomas De Quincey's work of the same title.

The American death metal band Infester included a sample from the film in their song, "Chamber of Reunion", from their album To the Depths, In Degradation In books by Simon R.

Green , mentions are often made of a "Black Forest Dance Academy" in Germany, a place where witches and Satanists gather, a possible reference to Suspiria.

Suspiria is featured in the documentary film Terror in the Aisles In the comedy-drama film Juno , Suspiria is considered by the title character to be the goriest film ever made, until she is shown The Wizard of Gore and changes her mind, saying it is actually gorier than Suspiria.

Suspiria is the first of a trilogy of films by Argento, referred to as " The Three Mothers ". Latin: "Mother of Sighs" in Freiburg.

Latin: "Mother of Tears" in Rome. Film scholar L. Andrew Cooper notes "Aesthetic experience is arguably the ultimate source of 'meaning' in all of Argento's films, but Suspiria and the other films of the Three Mothers trilogy In January , Green revealed that it might never happen due to legal issues.

In April , an English-language television series based on the film—along with a series based on Sergio Corbucci 's Django —was announced as being developed by Atlantique Productions and Cattleya.

Both series were set to consist of twelve minute long episodes, with the possibility of multiple seasons. From Wikipedia, the free encyclopedia.

For the film, see Suspiria film. For other uses, see Suspiria disambiguation. Theatrical release poster. Dario Argento Daria Nicolodi.

Goblin Dario Argento. Release date. Running time. Main article: Suspiria soundtrack. Main article: Suspiria film.

Chicago Tribune. British Board of Film Classification. Retrieved 4 July Suspiria 25th Anniversary.

Anchor Bay Entertainment. Eliot, Charles William ed. Levana and Our Ladies of Sorrow. English essays, from Sir Philip Sidney to Macaulay. The Harvard Classics.

New York: P. Retrieved 9 November Suspiria booklet. Turner Classic Movies. In the Know. Indiana Public Media. Retrieved 18 December CityArts Magazine.

Retrieved 20 December Hip Hop DX. Archived from the original on 29 July Retrieved 2 September Rotten Tomatoes. Retrieved 25 March Fandango Media.

Retrieved 10 August CBS Interactive. The New York Times. Argento panned the film, stating that "it did not excite me, it betrayed the spirit of the original film: there is no fear, there is no music.

The film [underwhelmed] me", but he did call the film's design "beautiful". On September 27, , it was reported that the film's American distributor, Amazon Studios, was being sued for copyright infringement by the estate of artist Ana Mendieta.

The suit, filed in a federal court in Seattle , Washington, alleged that two images present in the film's teaser trailer were plagiarized from Mendieta's work.

In an interview with Deadline , Guadagnino revealed that the film had originally been titled Suspiria: Part One , but the subtitle was dropped so that the film would be thought of as a standalone work.

He admitted interest, however, in further exploring the origins of the Madame Blanc and Helena Markos characters, and the future of Susie Bannion—provided the film became a success at the box office.

He expressed interest in making a prequel about Markos:. Wandering through a village and trying to find a way [to] manipulate the women of the village.

I have this image. I know she was there, I know it was six to seven hundred years before the actual storyline of this film.

From Wikipedia, the free encyclopedia. Theatrical release poster. Suspiria by Dario Argento Daria Nicolodi. Release date. Running time. Luca Guadagnino left originally optioned the film for David Gordon Green right to direct in After Green's film was canceled, Guadagnino took over directing the project with a new screenplay by David Kajganich.

Where Argento's film top utilized lavish colors, Guadagnino opted for a muted, "winter-ish" appearance devoid of primary colors.

Main article: Suspiria soundtrack. His camera sees nothing. Venice International Film Festival Archived from the original on October 20, British Board of Film Classification.

Box Office Mojo. Archived from the original on November 3, The Hollywood Reporter. Archived from the original on August 30, Archived from the original on September 20, The Washington Post.

Archived from the original on November 1, The New York Times. Archived from the original on October 28, Archived from the original on November 2, The New York Observer.

The New Yorker. Archived from the original on October 31, We break it down for you". Chicago Reader. Archived from the original on November 4, Archived from the original on October 30, The Wall Street Journal.

Archived from the original on October 27, The Globe and Mail. Toronto, Ontario. Archived from the original on October 19, Archived from the original on November 6, AOL Build Interview.

Interviewed by Ricky Camilleri. Archived from the original on December 29, Archived from the original on June 12, The Film Stage. Archived from the original on November 17, The Guardian.

Archived from the original on December 22, Retrieved May 27, Screen Daily. Archived from the original on August 24, Los Angeles Times.

Los Angeles, California. E10 — via Newspapers. Bloody Disgusting. Garage Magazine. Archived from the original on October 29, Daruma View in Italian.

Archived from the original on March 4, Velvet Cinema in Italian. The Independent. Vanity Fair. Retrieved October 22, Archived from the original on December 21, Vogue Italia in Italian — via PressReader.

NRC Handelsblad in Dutch. Entertainment Weekly. Archived from the original on July 9, Movies UK. Archived from the original on February 27, Archived from the original on October 15, The Daily Telegraph.

Archived from the original on September 1, Archived from the original on October 26, Il set di Suspiria ai Giardini". La Provincia di Varese in Italian.

Archived from the original on December 23, Il Giorno in Italian. August 23, Archived from the original on November 8, Archived from the original on October 22, Archived from the original on October 27, — via Twitter.

Varese News in Italian. Deadline Hollywood. American Cinematographer. Archived from the original on November 29, Archived from the original on April 17, — via Twitter.

Archived from the original on December 10, Archived from the original on October 12, Archived from the original on August 25, Archived from the original on September 4, Archived from the original on September 3, Archived from the original on December 20, Retrieved November 1, Archived from the original on July 30, Archived from the original on September 19, Rue Morgue.

Archived from the original on January 25, Interviewed by Oliver Graham. Venice, Italy: Getty Images.

Retrieved October 29, Consequence of Sound. Archived from the original on September 5, Rolling Stone. Archived from the original on September 13, The Burlington Free Press.

Burlington, Vermont. A5 — via Newspapers. Archived from the original on April 29, Very gruesome and hard to watch.

CinemaCon" Tweet. Archived from the original on September 2, — via Twitter. Archived from the original on August 9, A7 — via Newspapers.

Archived from the original on October 21, Archived from the original on September 17, Capri Hollywood. October 12, Retrieved November 6, November 5, Archived from the original on December 11, The Numbers.

Nash Information Services. Retrieved July 27, Retrieved November 4, Retrieved April 25, USA Today. Archived from the original on October 25, Rotten Tomatoes.

Retrieved June 7, Retrieved December 8, The Nation. The Boston Globe. Archived from the original on September 29, Slant Magazine.

Archived from the original on October 23, Archived from the original on September 7, Archived from the original on October 24, The Telegraph.

The Stranger. Seattle, Washington. Screen Rant. Retrieved November 18, Archived from the original on November 7, Indie for Bunnies in Italian.

Archived from the original on January 21, Archived from the original on October 2, October 9, Venice Film Festival.

September 7, Archived from the original on September 8, Penske Media Corporation. Archived from the original on November 26, Washington D.

Area Film Critics Association. December 1, Archived from the original on December 9, Indiana Film Journalists Association.

December 7, Indiana Film Journalists Association Awards. December 17, Philadelphia Film Critics Circle. December 9, Awards Circuit.

Critics' Choice Awards. December 10, Phoenix Critics Circle. December 12, December 14, Houston Chronicle.

Next Best Picture. December 21, Best Next Picture. December 27,

Film Originaltitel Suspiria. Seltsame Kräfte und Stimmen locken sie jedoch in einen abgelegenen Spiegelsaal. Madame Blanc, die Susie liebt, versucht daraufhin, Mutter Markos Bruno Cathomas überreden, das Ritual abzubrechen, da sie mittlerweile ein Unwohlsein Suspiria. Download as PDF Printable version. Let me be more specific: I appreciated the minute very good movie somewhere inside there suffocated by the artistic excesses and peculiar and mercurial artistic demands from its uncompromising director the man refused to shoot anything Suspiria ten hours until he got a cloud positioned exactly where he wanted. Aside from Johnson and Goth, all of the actresses in the Soul Kitchen Film dance scenes were professional dancers. Susy riesce a fuggire mentre l'edificio viene completamente distrutto.

It served as the inspiration for a film of the same title , directed by Luca Guadagnino. Suzy Bannion, a young American ballet student, arrives in Freiburg, Germany during a torrential downpour to study at the co-ed Tanz Dance Akademie, a prestigious German dance school.

When Suzy arrives she encounters another student, Pat Hingle, as she flees the school in terror. Pat takes refuge at a friend's apartment and reveals to her that something sinister is happening at the school.

She is ambushed by a shadowy figure who stabs her repeatedly, and pierces her heart, and drags her to the roof of the apartment building before hanging her with a noose by throwing her through the building's skylight.

The next morning, Suzy then returns to the school. She meets Miss Tanner, the head instructor of the school, and Madame Blanc, the school's deputy headmistress.

She meets Olga, her new roommate, and fellow student Sarah. Later on, Suzy experiences an unsettling encounter with one of the school's matrons and Blanc's nephew, Albert, before she loses consciousness during a dance class.

When Suzy regains consciousness, she finds that Olga has thrown her out of her apartment, which forces Suzy to reside at the school, with Sarah living in the room next door.

While the students are preparing for supper one night, maggots suddenly rain down from the ceiling, forcing all of the students to sleep in one of the dance studios.

That night, Daniel is stalked by an unseen force while walking through a plaza; his dog then turns on him and viciously rips his throat out.

She says that Pat was behaving strangely before her death, and she promises to show Suzy the notes that she left to Sarah.

They pursue Sarah through the school before cornering her in the attic; she barely manages to escape through a small window before she falls into a pit of razor wire which entangles her, allowing her pursuer to kill her by slashing her throat.

Suzy also consults with Professor Milius, a professor of the occult. He reveals that a coven of witches would perish without their leader, from whom they draw power.

When Suzy returns to the school, she finds that everyone has left to attend the Bolshoi Ballet without her. Finally remembering that Pat had uttered the words The secret!

I saw it behind the door! Turn the blue one! Albert then alerts a servant, Pavlos, to Suzy's presence. She finds the woman Sarah claimed to be the directress sleeping on a curtained bed.

Suzy then deduces that she is Helena Markos, and after she tries to flee with Pavlos heading her way, Suzy knocks into a decorative bird with crystal plumage that awakens Markos.

Suzy flees as the school begins to fall apart. Madame Blanc, Miss Tanner, Pavlos and the rest of the coven perish without the power of Markos remaining.

Suzy escapes into the rainy night as the school is consumed by fire, and she laughs maniacally in relief before smiling. It's something that exists.

Daria Nicolodi helped Argento write the screenplay for the film, which combined the occult themes that interested Argento with fairytales that were inspiring to Nicolodi, such as Bluebeard , Pinocchio , and Alice's Adventures in Wonderland.

American actress Jessica Harper was cast in the lead role of American ballet dancer Suzy Bannion, [11] after attending an audition via the William Morris Agency.

Argento requested Italian actress Stefania Casini for the supporting role of Sarah, a request which she obliged, having been an admirer of his films.

Suspiria is noteworthy for several stylistic flourishes that have become Argento trademarks, particularly the use of set-piece structures that allow the camera to linger on pronounced visual elements.

The production design and cinematography emphasize vivid primary colors , particularly red, creating a deliberately unrealistic, nightmarish setting, emphasized by the use of imbibition Technicolor prints.

Commenting on the film's lush colors, Argento said:. The imbibition process, used for The Wizard of Oz and Gone with the Wind , is much more vivid in its color rendition than emulsion-based release prints, therefore enhancing the nightmarish qualities of the film Argento intended to evoke.

All of the actors' dialogue was dubbed through additional dialogue recording —a common practice in Italian filmmaking at the time.

Argento expressed disappointment over the fact that Harper's voice, which he liked, was not heard in the Italian market because she was dubbed in Italian by another actress.

The dubbing was overseen by Ted Rusoff , a prolific voiceover artist based in Rome who supervised English-language dubbing for numerous European genre films including Argento's follow-up to Suspiria , Inferno.

Contrary to the conventionally shared wisdom that SUSPIRIA is entirely post-synced, the English-language mix is actually not entirely dubbed and uses a fair amount of production dialogue recorded on set, mixed with post-synced ADR.

The Italian prog-rock band Goblin composed most of the film's score in collaboration with Argento himself. In the film's opening credits, they are referred to as "The Goblins".

The main title theme was named as one of the best songs released between —79 in the book The Pitchfork Our Guide to the Greatest Songs from Punk to the Present , compiled by influential music website Pitchfork.

Suspiria was released in Italy on 1 February The website's critical consensus states: "The blood pours freely in Argento's classic Suspiria , a giallo horror as grandiose and glossy as it is gory.

Janet Maslin of The New York Times wrote a mixed review, saying the film had "slender charms, though they will most assuredly be lost on viewers who are squeamish.

Like Siskel, Bruce McCabe of The Boston Globe likened the film to The Exorcist and The Sentinel , ultimately deeming it "a fitful, uneven piece of work too often more uncontrolled than the hysteria it's trying to create.

Hoberman of The Village Voice gave a positive review as well, he calls it "a movie that makes sense only to the eye".

Suspiria may prove to be the most harrowing shocker ever filmed. In the years since its release, Suspiria has been cited by critics as a cult film.

The Village Voice ranked Suspiria on their list of the greatest films made in the 20th century. This release, which was a limited edition run restricted to 60, units, features a THX -certified video master of the film, with a second disc consisting of a minute documentary and other bonus material; the third disc is a CD consisting of the original film score.

A standard single-disc edition was released by Anchor Bay the following month. On 19 December , the independent home media distributor Synapse Films released the film for the first time on Blu-ray in the United States in a limited steelbook package.

Though note it doesn't use the same 4K restoration as the US Synapse release. Three bands—the Norwegian thrash-metal band Susperia ; a pioneering mids UK gothic rock band; and the witch-house project Mater Suspiria Vision—have named themselves after the film.

Let's get your review verified. Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.

How did you buy your ticket? View All Videos 3. View All Photos Movie Info. When she vaults to the role of lead dancer, the woman she replaces breaks down and accuses the company's female directors of witchcraft.

Meanwhile, an inquisitive psychotherapist and a member of the troupe uncover dark and sinister secrets as they probe the depths of the studio's hidden underground chambers.

Luca Guadagnino. Fischer , Silvia Venturini Fendi. David Kajganich. Jan 15, Dakota Johnson Susie. Tilda Swinton Madame Blanc.

Mia Goth Sara. Angela Winkler Miss Tanner. Ingrid Caven Miss Vendegast. Elena Fokina Olga. Sylvie Testud Miss Griffith. Jessica Harper Anke.

Luca Guadagnino Director. David Kajganich Screenwriter. Luca Guadagnino Producer. David Kajganich Producer.

Francesco Melzi d'Eril Producer. Marco Morabito Producer. Gabriele Moratti Producer. William Sherak Producer. Bradley J. Fischer Producer. Silvia Venturini Fendi Producer.

Hunter Killer Is Substandard. October 22, Full Review…. September 24, Rating: 3. July 25, Rating: 4. View All Critic Reviews Dec 05, This one you probably didn't see coming.

Or, honestly probably didn't see at all. Suspiria is a remake of a cult classic Italian horror film of the same name by Dario Argento.

Both focus on a young American ballet student entering a mysterious European dance school that is really a front for a coven of witches.

But as where the original was a vivid, colorful fairy tale turned nightmare, the remake is a cold, desaturated historical allegory set against the backdrop of the German Autumn of you guessed it , during the doomed Red Army Faction uprising.

It is very much a modern European art horror picture, and therefore, not for everyone. Suspiria doesn't bother much with the mystery of the coven, nor is it interested in jump scares.

This film is fully content to freak you the hell out with the PAINFUL things that it does to human bodies and what it does to our protagonist's mind.

Hereditary made a splash for being a polarizing art horror film with disturbing imagery, but Suspiria honestly one-ups it completely on that front, though in a far messier fashion.

In addition to centering around women, expressionist dance, and freaky supernatural shit, Suspiria also has a lot to say about the changing face of post-war Germany and generations of guilt.

It's truly bizarre to go directly from violent street protests to a HELL of a witches' sabbath that is somehow freakier than the one that ended The Witch and not seem tonally inconsistent.

Guadagnino manages that with finesse. Dakota Johnson has a lot going on in this unconventional role and the odd but rapturing back-and-forth with her obsessive mentor Tilda Swinton forms the true meat of the story.

There are a lot of character actors doing God's or someone else's work here and I feel guilty not being able to do them justice.

Either way, it's a shame it left theaters so quickly and it deserved better for the all the time and resources that went into it.

Catch it on blu-ray or your preferred streaming service if you got the sand. All of them Joshua S Super Reviewer. Nov 18, The idea of remaking Dario Argento's horror classic Suspiria seems like movie heresy.

How could any filmmaker attempt to come close to the Italian master's original? Though that has not stopped Hollywood from remaking other horror classics of yore.

The new Suspiria is a worthy, splashy artistic endeavor but it suffers from too much airy meandering in the name of redundant atmosphere, vague and arbitrary plotting, and poor characters.

We're told up front this is a story in six acts and a resolution but frankly the first two acts could have been completely eliminated.

Their bearing on the overall story is minimal, but then I could say the same thing about much of the characters. Chloe Grace Moritz's role could have been entirely cut.

The majority of the story is strange things happening very slowly in the background of a dance school. The characters that do investigate aren't our protagonists, which then traps us with people who know too much and won't share, people who don't know anything, and people who don't want to know anything.

It gets frustrating spending that much time with them, especially when the end destination coven conspiracy sacrifice is obvious even if you haven't watched the original.

I was told that Guadagnino edited an hour out of the final movie. What in the world was left out? It feels like everything they could have shot found its way into the finished film, whether it needed to be there or not.

There's an ongoing subplot about the Red Army Faction a. Baader-Meinhof Gang that we keep returning to as if there's supposed to be larger relevancy.

It's a left-wing conspiracy that translated post-war anger into violence against the government. If I work really hard I can make a larger thematic connection to witches and women, but I won't.

With Suspiria , it's really just historical atmosphere that adds little but yet is returned to again and again. There is even a post-credit scene of a character doing something unclear while looking toward the camera.

Why include any of that? It's arbitrary and superfluous to the very end. The new Suspiria toggles through three tepid lead characters: 1 Johnson's new dance recruit, 2 Swinton's artistic director at the school, and 3 Swinton in old-age makeup as a grieving psychiatrist trying to make sense of his life yes, "his," as she plays a man.

Two of these characters matter in strict plot terms and only one of them are granted some degree of characterization. Susie is essentially an empty vessel who is extremely passive, going along with whatever she's told there is a reason for this but it falls under the category of contrived dues ex machina.

There are hints of the connection she has to some occult force at play, but we don't really see any transformation on her part because she's so opaque to start with.

Madame Blanc is the most interesting character, somewhat by default, but she only becomes that in the last third of the film when her personal feelings for Susie make her doubt how far she's willing to go to achieve the coven's goal.

It's the only character with a direct internal conflict that seems to matter to the story. The old man has no reason to be in this movie.

By the end, it feels like the film has found a significant story reason for his inclusion, one that will actually produce some thematic relevance for Swinton also playing this role, but nope.

He serves no purpose other than exposition and to hammer home a tangential historical context of generational guilt. There is a nice character moment between two characters in the resolution but by then it's too little too late.

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December 7,

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SUSPIRIA - 40th Anniversary 4K Restoration Trailer (2017) - HD

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1 Kommentare

  1. Ich denke, dass Sie nicht recht sind. Geben Sie wir werden besprechen. Schreiben Sie mir in PM, wir werden reden.

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